Many of you who read UrbanCincy get to see and experience the center city on a regular basis, but others of you cannot. But for those of you that do, rarely do you get to take a bird’s eye view of the city.
Brian Spitzig, an occasional contributor to UrbanCincy, recently took a flight around the inner city to take what turned out to be some incredible aerial photography. He took hundreds of photos, but we went through them and selected some of the best to share with you.
This is the first part of what will be a two-part series. The following 20 photographs are all of Downtown and Over-the-Rhine, while the next part of this series will focus on neighborhoods outside of the greater downtown area.
Get a first look at The Woodward Theater this Friday at Pints for Paint, a launch party and fundraiser for Cincinnati’s newest live music venue and event space.
The idea is simple: Invite the community to drink beer and use the funds to buy paint. Proceeds from beer sales, sponsored by Christian Moerlein Brewing Co., will help the owners pay for cans of paint and other finishing touches in the 101-year-old theater.
The newly renovated Woodward Theater, located at 1404 Main Street, will officially open for its first rock show on November 10 with a performance from Grand Rapids indie band The Soil & The Sun.
The Woodward Theater [Jake Mecklenborg]
In an interview with UrbanCincy, co-owner Dan McCabe explained that Pints for Paint is “how Main Street does things. It’s a bootstraps, grassroots effort.” McCabe, along with co-owners Chris Schadler and Chris Varias, also own MOTR Pub across the street at 1345 Main Street.
The restored theater will serve as a multi-use event space that can accommodate up to 600 people. MOTR is also developing a new catering menu for The Woodward with plans to make MOTR the exclusive caterer for events held there.
Though it will be primarily used as a rock venue, McCabe emphasized that the space will be available to the community for private events, parties and speaking engagements. The Woodward also plans to offer a “steady diet of film programming” — a nod to the theater’s 1913 film house origins.
Complementing MOTR’s 150-person capacity venue, The Woodward’s music lineup will showcase local and nationally touring independent bands that are better suited for a larger stage. The hope is to help bands that have used MOTR as their entry point into Cincinnati eventually graduate to larger crowds at The Woodward. Visitors will eventually be able to purchase tickets for Woodward shows at MOTR, or get them online at CincyTicket.com.
Ticketed shows at the Woodward will cost anywhere from $5 to $15 and will typically end around 11pm.
The venue’s biggest asset, McCabe says, isn’t its size, the number of taps, or even the unique beaux arts-style space — it’s Over-the-Rhine. Being uniquely integrated into the neighborhood, he believes that this makes the venue perfectly poised to become the region’s entry point into the historic neighborhood. As the Woodward books larger acts that attract visitors from outside the region, McCabe points out that those visitors are going to arrive in town ready to explore, shop, and eat in OTR.
Dan McCabe Discussing The Woodward [Travis Estell]
Early Tour of The Woodward [Travis Estell]
Early Tour of The Woodward [Travis Estell]
McCabe also sees The Woodward as a catalyst for new businesses on Main Street. “Main Street really is an accessible corridor in Over-the-Rhine. Anybody with new ideas, new concepts, there are probably like-minded folks who want to join in and make things happen.”
Main Street’s openness to possibility and infusion of new visitors is what will, in theory, help drive the opening of new storefronts.
The process to get to this point has not come easily. Owners first began researching the purchase of the building in 2011, just one year after opening MOTR Pub across the street. The group then began pursuing financing in 2012, but it wasn’t until the Cincinnati Development Fund stepped in that the theater was able to secure their SBA loan and purchase the building in 2013. They finally began renovation work in May 2014.
While Pints for Paint will help fund the final finishing touches before the opening, McCabe makes it clear that renovations won’t stop at a few coats of paint.
“It’s not ‘Boom! We’re done.’ We’re going to continue to invest in that building. We’re going to continue to build once we get this thing up and running,” McCabe says. In addition to continuing improvements to the acoustics, an upstairs bar is in the works. They are also interested in bringing back the theater’s marquee, although a new one will need to be fabricated.
Still, when asked what Dan McCabe is most excited about, he responds, “People spilling beer.” He and co-owner Chris Schadler have been working side by side to painstakingly replace the hardwood floorboards. “As I’m on my hands and knees working on that stuff, my vision of beer getting dripped on it…that’s success.”
Pints for Paint will take place at 6pm this Friday, November 7. Early attendees will receive an exclusive Pints for Paint commemorative pint glass, and MOTR Pub will cater appetizers until 7pm.
Serving as event partners, The Enquirer will also have archived photos detailing The Woodward’s history. MOTR will host the after-party for a free show by The Yugos and Lux Deluxe.
Inspired by Meghan Trainor’s hit single entitled ‘All About That Bass’, a cappella group at the University of Tennessee at Chattanooga has put together a parody of that same song entitled ‘All About That Bus’.
While Trainor’s song focused on a message about embracing your own body shape and size, the UTC Mockingbirds version focused on embracing the university’s shuttle bus system.
Back to the song where this inspiration came from, Trainor’s single was one of the biggest summertime hits in the United States this year, and top the charts in roughly a dozen countries around the world. While the odds are low that the UTC Mockingbirds will see their version rise to such popularity, it is a hit in our eyes due to its transit-loving nature. Go on now, ride that bus.
Cincinnati has a rich history in music production, and recently it has become more of a hotbed for live performances. In addition to that, there are a number of well-known local or locally started musicians out there making the national rounds these days.
A new mashup project, however, is a bit of a change of pace from all of that.
Cincinnati Dronescape is the brainchild of Isaac Hand, and is a bit of an experiment involving art, music, technology and the city.
Hand worked with his friend Nick Denlinger to record what they thought were quintessential sounds from around the city. This included recordings from more than a dozen locations including the sound of the Western Hills Viaduct, Queensgate Railyard, Christian Moerlein Brewerythe hum of the University of Cincinnati Medical Center. From there, they then distributed the audio recordings to local musicians who them composed music to complement those sounds.
One of the interesting components of the project, aside from it recording background city sounds, is the fact that Hand and Denlinger recorded the sounds by using drones.
“The results are simultaneously a representation of the diversity of the Cincinnati music community, but also an aural portrait or sonic map of the city,” explained Hand.
Long-time readers of UrbanCincy may remember Hand from a project he helped champion in 2010 called Aural Grid, which was a “musical-spatial exploration” through Over-the-Rhine. Many of the artists involved with that project, Hand says, were also involved with Cincinnati Dronescape.
“Although I curated it, this really was a community endeavor,” Hand emphasized. “It took a whole bunch of people to make it possible.”
The community description is an apt one with roughly a dozen musicians contributing directly to the effort. In addition to that, Ian Gullett mixed everything into a cohesive recording, Arthur Brum produced the album artwork, and Micah Freeman composed the poem used for linear notes.
It actuality, there are two albums available for streaming or purchase. The first, entitled Cincinnati Drones, is an album of the recorded sounds, while the second, entitled Cincinnati Dronescape, is the collection of artist remixes of those sounds.
As part of the latest partnership of the Southwest Ohio Regional Transit Authority (SORTA) and ArtWorks, 60 bus shelters throughout the city of Cincinnati now feature photographic portraits of local residents, part of a project by nationally renowned photographer Richard Renaldi.
Due to a 2013 decision by Cincinnati City Council to prohibit advertising in the city right-of-way, SORTA as been left with the question of how to fill sign panels in Metro bus shelters. Last year, the transit agency partnered with ArtWorks to present a series of graphic prints, inspired by works of literature, on 24 bus shelters.
Richard Renaldi in Cincinnati [Eric Anspach]
Touching Strangers Bus Wrap [Eric Anspach]
Touching Strangers Bus Wrap [Eric Anspach]
Touching Strangers: Cincinnati [Eric Anspach]
Touching Strangers: Cincinnati [Eric Anspach]
Touching Strangers: Cincinnati [Eric Anspach]
Touching Strangers: Cincinnati [Eric Anspach]
Touching Strangers: Cincinnati [Eric Anspach]
Touching Strangers: Cincinnati [Eric Anspach]
Touching Strangers: Cincinnati [Eric Anspach]
Touching Strangers: Cincinnati [Eric Anspach]
Touching Strangers: Cincinnati [Eric Anspach]
This year the entities have again teamed up to present Touching Strangers: Cincinnati. This project is also part of the 2014 edition of Fotofocus, a biennial celebration of the art of photography.
Originally from Chicago, Renaldi now works out of New York, and his work has been exhibited in galleries and museums around the world.
Renaldi took the photos during a June visit to the city. Residents of Cincinnati area posed for the photos; most feature two people, but in several of the images three are included. The subjects were strangers to each other, having met only for the taking of the pictures, yet are positioned in poses in that suggest a level of intimacy.
Four ArtWorks youth apprentices and two local professional photographers worked with Renaldi and produced additional Touching Strangers portraits.
Renaldi and several of the apprentices dedicated the collection of photos at an event on October 16 at a shelter on Sycamore Street downtown. On hand was a Metro bus that has been wrapped with one of the images from the collection.
Many of the shelters featuring the portraits are centrally located downtown and in Over-the-Rhine, the West End, and Uptown, but others are scattered around the city in neighborhoods such as Westwood, Roselawn, and Oakley.
