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Arts & Entertainment Business News

ArtsWave Announces Recipients of $10.4 Million in Grants

ArtsWave finalized their list of grants to arts organizations throughout the region last Friday. This year’s distribution doles out $10.4 million to 35 different local arts organizations, ranging from $12,500 for the Contemporary Dance Theater to $3,020,000 for the Cincinnati Symphony Orchestra.

In addition to what ArtsWave calls their impact grants, they also distributed $435,000 for small project grants and strategic local partnerships.

The money comes from a fund that ArtsWave officials say is the largest of its kind in the United States, distributing more than $50 million to regional arts organizations over the past five years.

“ArtsWave’s grants are a differentiator for Greater Cincinnati,” Mary McCullough-Hudson, ArtsWave’s outgoing CEO, stated in a prepared release. “It is absolutely unique for a region this size to have an annual infusion of more than $10 million in its arts sector each year, creating both a stabilizing and a catalyzing effect for organizations and arts-related activity that have unexpected benefits for the community.”

The organizations and projects that were awarded money, officials say, were selected based on the input of grant making committees that evaluate submissions and determine the amount of money to be awarded to each applicant.

The average grant amount awarded this year was approximately $250,000. The Cincinnati Art Museum ($1,635,000), Cincinnati Symphony Orchestra ($3,020,000) and Cincinnati Playhouse in the Park ($1,210,000) were the only organizations to receive grants in excess of $1 million. When removing those outliers from the equation, the average drops to about $110,000.

Other large recipients include the Cincinnati Opera ($935,000), Cincinnati Ballet ($850,000) and Contemporary Arts Center ($405,000).

The money for these grants comes from an annual fundraising effort, which yielded a record amount last year of more than $12 million. In addition to supporting the numerous organizations and projects, the money also goes to support shared service operations arts organizations throughout the region, like board training, volunteer programs and fundraising expenses.

“Our region’s residents support this campaign because they see every day how the arts bring people together,” said Karen Bowman, Chair, ArtsWave Board of Trustees and Principal, Deloitte Consulting.

In addition to these grants, ArtsWave officials also announced that they would be awarding $45,000 to designated community revitalization organizations in Price Hill, Madisonville, Covington, Avondale and Walnut Hills as part of LISC-Cincinnati’s Place Matters campaign. Those funds, they say, will be used to support community-building arts programs in those neighborhoods.

“Successful creative placemaking is about the impact of local arts on people in these neighborhoods,” explained Kathy Schwab, Executive Director, LISC of Greater Cincinnati & Northern Kentucky. “This exciting partnership with ArtsWave will help fuel community engagement and pride in the five Place Matters communities.”

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Business Development News

Construction Pace Picking Up on $120M Smale Riverfront Park Project

As is often the case in construction, warmer weather brings greater progress on the site. This holds true for the $120 million, 45-acre Smale Riverfront Park.

According to project manager Dave Prather, work has picked up in recent months and significant elements of the ongoing phase of work are now becoming visible.

One of the elements that is very quickly nearing completion is the Heekin/PNC Grow Up Great Adventure Playground that sits immediately beside the Roebling Suspension Bridge, and is on schedule to open in spring 2015. Significant progress is also now noticeable on the Vine Street Fountains & Steps, which are almost identical to their existing Walnut Street counterpart, and the Anderson Pavilion.

In the latest video update from Cincinnati Parks, Prather walks viewers through all the progress and mentions that a great deal of additional work will be completed in the near future.

“It’s really starting to come into focus,” Prather said in the 15-minute video update. “The next time we film, which will be in late summer, you’ll see the slides and pick-up sticks in place, all the stone climbing walls will be there, and you’re really be able to get a feel on what we’ll have to offer in this next extension.”

One of the things significantly different about the portion of Smale Riverfront Park west of the Roebling Suspension Bridge is the Anderson Pavilion and Carol Ann’s Carousel. These two features will create the most significant building structure at the central riverfront park to-date, and serve as potential sources of revenue to maintain the sprawling park going forward.

The implementation of the full vision for the park will not come for several years, and is still seeking additional capital funding. Some capital funding help, however, has been found this year in the form of a $4.5 million grant from the U.S. Army Corps of Engineers.

The ongoing work is also being aided by $4 million from the City of Cincinnati that was approved last year following a one-time allocation of resources from a property tax supported bond increase in 2013. The recent budget quickly passed 6-3 by City Council, however, included no additional capital support for Smale Riverfront Park.

Project officials estimate that an additional $30 million will be needed to complete the park.

In April, the American Planning Association presented its National Planning Excellence Award for Implementation to Cincinnati for its execution of the Cincinnati Central Riverfront Plan, which included the reconfiguration of Fort Washington Way, and the development of The Banks and Smale Riverfront Park.

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Business News Opinion

OPINION: Sterling’s Discriminatory Housing Practices Should Have Been His Undoing

The other week the NBA finalized the forced sale of the Los Angeles Clippers from Donald Sterling to Steve Ballmer. The move comes after weeks of heated criticism of Sterling following his racially charged comments caught on tape to his young, mixed-race girlfriend.

This was not, however, the first moment of controversy for the billionaire owner. More significantly, is his history of racism with regard to the management of his apartment properties in California.

First, in 2001, he was sued by the City of Santa Monica for “harassing and threatening” to evict rent control tenants. Then, in 2003, tenants filed a federal lawsuit against him claiming discriminatory housing practices, which Sterling settled out of court by paying $5 million in legal fees and an undisclosed settlement to those tenants.

All of this was then followed in 2006 when the Department of Justice sued Sterling, once again, for housing discrimination against African American and Latino tenants. This DOJ suit was settled the following year for roughly $3 million, and was quickly followed by a civil lawsuit, filed by Clippers General Manager Elgin Baylor, claiming wrongful termination.

There were other instances of racism, but it is the discriminatory housing practices of Sterling that should be most significant to urbanists.

“Discrimination in the housing market has been crippling to the attempts blacks and Latinos have made to empower themselves economically. The worst examples are in the sales market — there’s a wealth of urban economic evidence showing how the inability to buy homes has affected the black-white wealth gap — but such behavior in the rental market is just as damaging,” Bomani Jones wrote for ESPN in 2010.

“Consider that, frequently, moving to a fancy neighborhood like Beverly Hills provides the best chance a family has at placing its children in decent schools, something we all can agree is pretty important.”

The zoning practices and transportation systems built in America throughout much of the 20th century facilitated the segregation of our communities, not only by income, but by race. These actions, many would agree, helped create dangerous inner-city neighborhoods with little academic or economic opportunity. Places where it is far easier to get a bag of chips or bottle of soda than it is to get fresh fruit or vegetables. Places that are violent and unhealthy.

As a society, we seemed to have condemned Sterling for the words he used, but pay little attention to the harsh realities tied to his racial discrimination as a landlord. As Jones says, these, not the words Sterling was caught saying, are what pose real and every day challenges for many racial minorities in America.

“People tend to think of the more annoying manifestations of racism, like how hard it can be for non-white people to get cabs in New York. But in the grand scheme, stuff like that is trivial. What Sterling is accused of is as real as penitentiary steel. But for some reason, that hasn’t qualified as big news in most places.”

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Arts & Entertainment News Opinion

VIDEO: Mayeul Akpovi Takes His Photographic Magic to Lyon

We are pretty regularly contacted by readers who would like to submit a guest editorial or share their thoughts on something we have recently published, but it is not all that often that we are contacted by someone like Mayeul Akpovi.

Mayeul sent us a message on Facebook pointing us to his latest video, which is a blend of time lapse and hyperlapse photography techniques, of Lyon. The nearly three-minute video of France’s third largest city is, quite simply, stunning.

The Paris-based web developer describes photography as merely a passion of his, and says that he produced the video from some 8,000 pictures he took over the course of a five-day trip to Lyon earlier this month.

This is not Mayeul’s first jaw-dropping time lapse, cityscape video. In 2013 he put together a four-part series on Paris that was featured on The Urbanophile and profiled by the staff at Vimeo.

Who wants to chip in and buy Mayeul Akpovi a plane ticket to Cincinnati so he can work his magic in the Queen City? Or are there any local photographers out there willing to step up and see if they can hold a candle to his work? Feel free to ping us at editors@urbancincy.com if you do.

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Business Development News

New Apartments, Retail Space Coming to Peeble’s Corner in Walnut Hills

You hear a lot about the significance of creating a critical mass when it comes to changing perceptions or establishing a new hub of activity in a neighborhood. That is exactly what Kent Hardman is aiming to do at Walnut Hills’ famed Peeble’s Corner.

Hardman, as you may or may not know, is a local real estate investor that has previously redeveloped the Jackson Theater on Eastern Avenue in Columbia Tusculum. He is also finishing up work on a historic firehouse at 773 E. McMillan Stree in Walnut Hills, which will not only house Fireside Pizza, but also his home.

“I walked in the first time, about a year-and-a-half ago, and thought that I had to bring this building back to life,” Hardman explained. “I’ve always dreamed of one day living in a firehouse.”

Hardman will move into his new 1,650-square-foot apartment in the Samuel Hannaford-designed firehouse at the end of this month, and he expects he will be joined shortly thereafter by Fireside Pizza in early July. He says that he likes to focus on old buildings that are shells where he can build new on the inside.

In the case of the 134-year-old Firehouse Row buildings, that was exactly what he had. In fact, the buildings were in such poor shape when Hardman purchased them from the City of Cincinnati for $1, that one of the two, known as the Hamilton House, had a tree growing through the middle of it.

Since acquiring the properties, the Miami University graduate has invested around $450,000 into the city’s oldest standing firehouse, including $100,000 in the form of a forgivable loan from the City.

As work wraps up later this month on that building, work will then begin next door on the Hamilton House. Hardman expects that he will invest another $550,000 into that property, which he is hoping will be offset by some gap financing from the City.

“It’s amazing what can happen to a property when it’s abandoned and left to die,” Hardman recalled. “The whole goal here is to create a concentrated effort, like what 3CDC has done in Over-the-Rhine, and reach that critical mass in Walnut Hills.”

Later in the year, he hopes to begin work on restoring two more buildings across the street, which is expected to cost around $1 million. In total, this second wave of work will create a dozen apartment units, ranging in size from one to two bedroom units, and two new storefronts. This next phase of redevelopment, however, is contingent upon pending gap financing from the City of Cincinnati.

Developing a critical mass is seen as critical for the ongoing revitalization of Peeble’s Corner. According to neighborhood leaders, the redevelopment of this block is the foundation for what they hope will be a larger turnaround for the business district.

“Over the last couple of years, while strategically purchasing key blighted properties, we realized that we needed to identify a small portion of the business district as an initial focus area,” said Kevin Wright, Executive Director of the Walnut Hills Redevelopment Foundation. “This is that area.”

Once the rest of the financing is secured for the rehabilitation of the 114-year-old properties, located at 772 E. McMillan and 2504 Chatham, it is expected that construction work will take approximately four months to complete.

The hopes are that these restored street-level retail spaces can become additional restaurants, grocery options, cafes, clothing shops and bars, as residents have recently indicated as their top preferences for the area. Wright also says that some capital investments will be needed in the near future, but is confident that the area is moving in the right direction.

“There are some wonderful historic buildings on this block, a safe public parking lot, an office building that is fully leased and expanding, as well as the Five Points alley systems,” Wright explained. “We believe this block can and will begin bringing Peeble’s Corner back to life.”