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Arts & Entertainment Business News

Brewery District to host three new Oktoberfest tours next weekend

What does September mean in Cincinnati? Oktoberfest of course! One of the area’s favorite festivals, in all of its German heritage, food and beer splendor, returns downtown September 18-19. In addition to the traditional consumption of bratwurst, märzen lagers, and chicken dances, the Over-the-Rhine Brewery District is teaming, once again, with the Christian Moerlein Brewing Company to host a series of tours focusing on Cincinnati’s rich brewing history. The three separate, but intermingling, tours will be offered at various times on both Saturday and Sunday and all three will begin and end at the future home of Christian Moerlein brewing operations (located at 1621 Moore Street in OTR).

The first is the popular Prohibition Resistance Tour which is run by the Over-the-Rhine Brewery District every year during Bockfest in March, and now during Oktoberfest as well. This two-and-a-half hour tour begins with a historical overview of the brewing in Cincinnati, followed by stops at six different breweries including descending 30 feet underground into abandoned lagering cellars for an authentic glimpse of Cincinnati’s brewing past. This particular tour has typically sold out quickly and OTR Brewery District executive director Steve Hampton says that tickets have been selling just as fast this time around. The tour includes a beer ticket and costs just $30, so make your reservations soon.

A second tour will highlight the release of Mike Morgan’s new book entitled Over-the-Rhine: When Beer Was King. This new tour will take participants along the length of Vine Street through Over-the-Rhine, allowing them to travel through both the Crown and Kauffman breweries while also learning about OTR’s early history and politics from the author himself. Tour organizers say that Morgan’s tour will only be offered at two times this weekend: Saturday at 3:10pm and Sunday at 3:20pm. Each tour will last approximately two-and-a-half hours and include the requisite beer ticket. Tickets cost $35, however $45 gets you a ticket for the tour as well as a signed copy of Over-the-Rhine: When Beer Was King.

The third and final tour is much more informal, free, and included in both of the aforementioned tours. Throughout the weekend people are encouraged to stop by the former Husman Potato Chip plant to check out the future home of Christian Moerlein brewing operations and get a look at the the planned brewery layout, future equipment placement, and renderings of the new Christian Moerlein Lager House taking shape on Cincinnati’s central riverfront. The tour will be offered approximately every 40 minutes.

As a special early kick-off for these tours, please join the OTR Brewery District this coming Thursday, September 9 at 10am, as volunteers Reconnect the Kauffman. During this “open to the public” event a wall, sealed during prohibition and blocking an underground tunnel, will be ceremoniously torn down to reconnect 2 buildings of the Kauffman Brewery, which at its height was the 4th largest in the city.

For those interested in being more involved with the Brewery Districts efforts, or just more involved with beer in general, volunteers are still needed both for the tours, and for serving beer through out the weekend at the future Christian Moerlein Brewery in OTR. Get your tickets soon and please sign up to be part of this great Cincinnati weekend. Cheers!

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Business News

18 entities join to form 8th Street Design District, kick off month-long concert series

It has long been a work in progress, but the 8th Street corridor through northeast downtown Cincinnati has evolved into a vibrant district. A district made up of trendy loft living inside former warehouses; diverse establishments like the Blue Wisp Jazz Club, Silverglades, and University Galleries; and an ever-growing collection of design-related businesses.

The progression has been steady and thorough over the past two decades when much of the district was vacant or rundown. But now, a large group of businesses in the district, the City of Cincinnati, and Downtown Cincinnati Inc. have officially formed the 8th Street Design District.

“We began looking around and realized that this area is rich with people and businesses who are passionate about their creative product, whether it’s package design, architecture, music or other related support services,” explained Ken Neiheisel, Chief Creative Officer of Marsh, Inc. and spokesperson for the 8th St. Design District.

Design firms include GBBN Architects, Marsh, KZF Design, Glaserworks, KGB Advertising, and Brandstetter Carroll along with 12 other entities that help make up the district. According to Neiheisel, the firms intend to come together with the goal of creating an inspiring, vibrant area that will aid in increasing the value of their work to the city while also attracting new talent. He also hopes that district branding will help attract other similar companies to the 8th Street Design District.

“There is strength in numbers and we felt that as a group, we could have an impact not only on each other, but on the creative class and economic development in Downtown Cincinnati.”

In order to celebrate the formation of the new 8th Street Design District, and bring the downtown community together, the group has organized a month-long music mini-series on Friday, September 10, 17, and 24. The concerts will take place from 12pm to 1:30pm at the corner of 8th and Broadway. The Faux Frenchmen are scheduled to perform first, with Mix Machine and Rattlesnakin’ Daddies to follow. Those who would like to help the newly formed group, or get more information about the September music mini-series, are instructed to contact Ken Neiheisel at (513) 386-6101.

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Development News Politics

Cincinnati’s old money attacks the future with the promise of a failed past

If you had thought that former Enquirer columnist Peter Bronson was gone, you were wrong. In the most recent publication of Cincy Magazine (not to be confused with Cincinnati Magazine), Bronson wrote a vanity piece about the new $322 million Great American Tower at Queen City Square.

The 800,000 square-foot office tower is adding a large amount of modern office space to Cincinnati’s central business district while also dramatically altering the city’s famous skyline long dominated by the historic Carew and Central Trust towers. What was interesting about Bronson’s story is that he took a platform for which he enthusiastically touted the new tower and how it was accomplished, and turned it into an opportunity to lob attacks at other major projects like the Cincinnati Streetcar and The Banks development along the central riverfront. It took Bronson no more than eleven sentences before he dove head-first into his attack of both projects.

“But the biggest building project since Carew Tower in 1930 has been overlooked, as politcos and mediacrats chatter about streetcar fantasies and the geologic progress on The Banks,” Bronson exclaimed. “While City Hall itches to spend more than $100 million on trolleys, while county leaders lean on chrome shovels and declare victory on the 14-year Banks promise, the $400 million Great American Tower has risen from the ground like Jack’s Metropolis beanstalk.”

Aside from Bronson’s factual errors about the tower’s price tag, it being the largest building project since Carew Tower (The Banks, UC complete rebuild, hospitals, Paul Brown Stadium, Great American Ball Park), or his odd comparison with Tabart’s famous English fairy tale, what is most striking is his unprompted attack on other major development projects to help further promote his beloved metropolis beanstalk.

The new tower does speak to Cincinnati’s ability to get things done during tough economic times, but lets not forget that the Great American Tower at Queen City Square is a vision that dates back to the 1980s as Atrium III, then more contemporaneously in the 90’s with the Queen City Square moniker. At that point the tower was envisioned as a towering brick skyscraper complete with a dramatic spire on top. But aside from that, Mr. Bronson continued.

“In less time than it took to name The Banks or buy one streetcar, Barrett and the Lindners at Great American Insurance have remodeled Cincinnati.”

Now there is a name we all know…the Lindners, Cincinnati’s old money power family. Over the years, the Lindners have at some point owned Kings Island, the ATP Tennis Center, Chiquita, Great American Insurance, United Dairy Farmers, and even the Cincinnati Reds. But what does this have to do with The Banks development or the Cincinnati Streetcar, well Mr. Bronson gives us some insight later in the same Cincy Magazine piece.

“The city has put $5.5 million into infrastructure improvements for Queen City Square, but Western & Southern put up nearly 10 times that much, and has invested $500 million in city projects over the past six years. “If the government subsidizes it, it’s not going to work,” Barrett says. “We need private money in it, our stake. That’s the entrepreneurial spirit.”

Ok, now we’re getting somewhere. Those conservative talking points ring loud and clear to anyone who has advanced beyond middle school social studies.

In 2004, the Lindner family raised more than $300,000 for the Republican Party through their regular household parties and other events, and in 2005, Carl Lindner Jr. was among a mere 53 entities that gave a maximum $250,000 to support the second inauguration of the beloved President George W. Bush.

So what Bronson has done, is effectively frame both the Cincinnati Streetcar and The Banks development as some sort of government subsidized projects that have been poorly run, thus further supporting the conservative talking points littered throughout this Cincy Magazine story. The problem is that Mr. Bronson failed to mention that Queen City Square also received $45 million from the Port of Greater Cincinnati Development Authority (which also owns the land) in addition to the millions of dollars it received from the city.

The problem here is not just the overtly political leanings of this story, but rather the unnecessary and unprompted attacks of other development projects in the area. The Cincinnati Streetcar is expected to be taking on its first passengers in early 2013, and the first-phase of The Banks will house its first resident next spring. This means that in a span of six years the Cincinnati Streetcar will not only have been envisioned, planned, funded, but built as well. Meanwhile, The Banks will have its first-phase completed in 14 years which includes two stadiums, a reconstructed Fort Washington Way, museum, and transit center. Both projects will have been completed in significantly less time than the 30-year vision that has been Queen City Square.

So what does this tell us? Well firstly it tells us that large development projects take significant amounts of time. It also tells us that the old money, political interests in Cincinnati are still strong and they are still fighting to remain relevant as a new generation steps up to the plate with a new vision for Cincinnati.

Over the past 50 years, this old generation has overseen Cincinnati through a period of decline.  Now a new generation wants to restore Cincinnati to its previous stature and beyond.  So, the final thing this tells us is that the next generation of leaders and visionaries will have to fight to rip control away from the cold death grip of Cincinnati’s old money power brokers who still obviously have the influence and authority to do what they wish.

Categories
Business Development News

Mercantile turns to Switch to solve library’s historic lighting problems

One of the major challenges facing the 175-year-old Mercantile Library, as it progressed on renovating its space, was proper lighting of the space. The library space suffered from poor lighting for its users due to a number of issues. To solve such issues, the Mercantile Library tapped Over-the-Rhine-based Switch Lighting & Design.

“The Mercantile’s specific problems had to do with the very high ceilings, the wiring, and the furniture,” said Albert Pyle, Director, Mercantile Library. “Because it’s so difficult to install task lighting here like those cool green shaded table lamps in other libraries, it was necessary to do the whole general lighting job with overhead lights. Everything had to work with the library’s industrial age aesthetic and monumental volume. Tricky, to say the least.”

Library officials say that the new lighting needed to do a variety of things: be warm, bright, and 21st century efficient. The old “schoolhouse globes” were replaced by Wohlert Pendants that provide uniform general diffuse illumination according to Louis Poulson lighting.

“We recommended these lights because they were modern enough to indulge our commitment to modern lighting and traditional enough to maintain the classic feel of this historic library,” explained Switch Lighting & Design co-owner, Bertie Ray III.

The double-stack bookshelf area was particularly problematic. In the past, the double-stack bookshelves had relied on glass floors, to allow minimal light through from the windows below, and small bulbs. The antiquated approach to lighting the stacks was replaced by Zaneen Utah Suspended Lighting T5 that is described as both sleek and modern while also being respectful to historic surroundings.

“The new globes are a better size, cleaner, and make it possible to change the bulbs without dismantling the light,” Pyle stated. “The lighting in the stacks is sleek, self-effacing, and efficient; and allows us for the first time to leave the lights on throughout the day, making the stacks part of the room. Without having gotten the lighting right, nothing else would have worked correctly.”

Categories
Development News Politics

Cincinnati officials impressed by results of Nashville’s form-based codes

In late June 2010, 18 individuals from Cincinnati made a trip to Nashville, TN in order to learn more about that city’s form-based code efforts. While on the trip, local officials and community leaders toured three of Nashville’s most notable developments to see first-hand how such land planning initiatives have made a tangible impact there.

The delegation attending the last of several trips to Nashville included Cincinnati City Councilmembers Laure Quinlivan, Charlie Winburn and Wendell Young; Hamilton Vice Mayor Rob Wile; leaders from Downtown, Walnut Hills, Mt. Auburn, Hyde Park, The Christ Hospital, the Cincinnati Form Based Codes Initiative, and UrbanCincy.

While in Nashville, the delegation visited Lenox Village and The Hill Center. The two new urbanist developments located in Nashville’s suburban communities each have a unique focus as Lenox Village offers a walkable residential neighborhood, while The Hill Center is an upscale commercial district built in a walkable manner.

Inside Lenox Village, the delegation was impressed by the development’s tree-lined streets, wide sidewalks, public gathering spaces, and pocket parks with homes ranging in cost from $84,000 to $350,000. The development also includes a small element of office and retail space, while also providing ten percent of its total housing units as rental.

The area surrounding the upscale, 220,000 square-foot Hill Center development reminded some of the Cincinnati guests of the Kenwood area. But while many of the same upscale retailers were found at both, the physical implementation is much different. According to the developers of The Hill Center, much of the difference comes in the “road diet” that took place to accommodate bicycles, improve sidewalks and pedestrian connections.

“Granbery described the “ping-pong effect” that retailers desire, where a pedestrian can easily cross from one side of the street to the other to reach another retail store that catches his or her eye – even green space should not be so wide as to keep shoppers from crossing the street easily,” described Cincinnati Vice Mayor Roxanne Qualls.

The third development the group toured was The Gulch which is a former railroad center turned mixed-use infill project adjacent to downtown Nashville. Restaurants, live music venues, trendy retail, and condominium towers now occupy the site which has become a popular destination for young people. The Cincinnati delegation also noted that the development project earned a LEED for Neighborhood Development (LEED ND) silver certification for its location, transit access, neighborhood design, green infrastructure and buildings, and its overall design process.

The Gulch is only the ninth neighborhood in America to receive such designation, and the first neighborhood in the south.  Since the plan was originally developed in 2002 by MarketStreet Enterprises, the City of Nashville and Davidson County Metropolitan Development & Housing Agency have invested nearly $7 million in infrastructure improvements.  The Gulch neighborhood has also required the incorporation of affordable housing in order to receive tax increment financing assistance.  Within the ICON, 44 of the total 418 housing units are affordable to those earning 80 percent of median income for the area ($34,000 or less).

The trips to Nashville were taken to help further develop Cincinnati’s initiative to develop form-based codes throughout the city as neighborhoods desire. Should Cincinnati develop such a system of land planning it would become only the third major American city to do so joining Miami and Denver. If all goes according to plan, city officials hope to start implementing the necessary zoning code amendments by fall 2010 with the help of Opticos Design.