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Shepard Fairey Retrospective Review

You can be certain that fans of ABC’s Lost will be found in front of their televisions on May 23rd, as the labyrinthine TV fantasy/sci-fi/adventure show wraps up its six-seasons-long narrative. Lost diehards are desperate for a conclusion that will bring closure to and make sense of countless loose ends that have frayed into an ever-more-complex knot of high-minded mysticism and philosophical allusion; anything less than an airtight explanation might suggest that the previous six years of their lives could have been better spent.

Personally, I hope that creators Damon Lindeloff and Carlton Cuse have both the stomach and sense of humor to play a practical joke of epic proportions by tying everything up in a neat little package with a card that reads “It was all a dream.”

Locally, the ongoing Shepard Fairey retrospective at the Contemporary Arts Center has made a splash with its own cocktail of ambitious subtexts, and I had the chance to follow the buzz and visit the show on Sunday of its opening weekend, with free admission offered as part of the Fine Arts Fund Sampler Weekend. I admired the boldness and the commitment of the artist to his purpose, as well as much of his technique, particularly in his large-scale murals: weathered textures and patchwork patterns abound.

The vast majority of the work in the two-floor exhibition belonged to Fairey’s on-going “Obey Giant“ project, done in service of one goal: to create a complex art-you-live aesthetic that changes the way audiences look at the rest of the world. Lofty stuff… yet, I could never shake the suspicion that there was far less going on intellectually than Fairey would have us believe.

Crowds outside the CAC for the Shepard Fairey opening night party – photos by Jeremy Mosher.

Premised on a head-scratching concept — that a sticker of Andre the Giant that doesn’t appear to sell anything will make the public question the images around them — Fairey has subsequently cited existential philosophy (in this case, Phenomenology) as the underpinning of his work, essentially evading explanation instead of offering clarification. As with Lost, rather than resolving tenuous connections between images or occurrences, we’re told to just keep digging deeper and deeper down the rabbit hole: the truth is there, have faith. What truth? And why not share it here? For that matter, when is Shepard Fairey? Well, you got me. But, if the meaning of a statement is elusive, it doesn’t necessarily make the statement meaningful.

No, by invoking the terms “propaganda” and “dissent,” by using an Orwellian poli-speak in posters and incorporating an ever-widening range of historical and philosophical allusions, the Fairey retrospective merely trades in Big Ideas without really committing to any. It’s all sizzle, and the promise that maybe there is a steak in there if you look hard enough and can talk yourself into it. Ultimately, the work on display is far less nuanced than the politically- or commercially-charged imagery Fairey wants to call into question: neither as sneaky nor as clever as proper propaganda. “In lesser gods we trust?” Puke.

The line to get into the CAC wrapped around the block along Walnut Street – photos by Jeremy Mosher.

Still, if Fairey’s work is reductive and far less subversive than it aims to be, it remains extremely topical, and I’m thrilled to see the CAC book such a timely and interesting show: it’s the artist like Fairey that can move the arts into the fore of a city’s consciousness. Afforded the chance to see these much-talked-about, widely-popular works from our own day, I can’t recommend strongly enough that Cincinnatians take a visit to see what all the fuss is about.

But once you’re there… don’t believe the hype. If you look too hard for a satisfying explanation for the island, the jumps through time, and whatever else happened after I gave up on a game that couldn’t be bothered to come up with any set rules, you might just make your head hurt.

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News

Once and Always A Stakeholder

The party line was this: I moved back to Cincinnati because my freelance work was rarely based out of New York City — counter to my expectations when first striking out as a self-employed writer and video producer — so I had an opportunity to finally get away from Gotham’s pound-of-flesh rents. Hello, profit-margin, right?

Truly, the full answer defied the time-limits of polite cocktail-party conversation. Every city in the country offered a lower cost-of-living and a healthy handful promised opportunities to share my life with good friends and family. But only one city had gotten into my blood.

Large crowds gather outside the CAC to get in to the Shepard Fairey opening night [LEFT]. Great American Ball Park is the home of the nation’s oldest professional baseball team the Cincinnati Reds [RIGHT]. Photos taken by Jeremy Mosher & Randy Simes.

A recent Vanity Fair article written by A. A. Gill explored the Creation Museum in Petersburg, KY, and opened with an offhand dig at Cincinnati, saying that “it’s not in the nature of stoic Cincinnatians to boast, which is fortunate, really, for they have meager pickings to boast about.” Gill is of that breed of lazy sensationalists more concerned with eliciting reaction than approaching a nuanced — even intimidating, surely — mental space, and this line, casually flippant, and really, totally extraneous to the rest of the story, served his aim. Picked up by blogger Katy Crossen earlier last week, Crossen challenged local bloggers and Twitter-followers to boast why they are proud of Cincinnati. And the responses began to pour in, detailing everything from the Zaha Hadid-designed Contemporary Arts Center to the world’s first professional baseball team.

Me? When I first moved to New York for college, I was often asked to describe Cincinnati, and I came to rely on a fond but accurate snapshot: “Big city amenities; Small-town feel.” We account for ten Fortune 1000 companies — including 75% of Ohio’s entries in the Top 100 — but we value our neighborhoods, and local religious roots have connected millions of people through Catholic schools. Introduce me to anyone from Cincinnati and give us ten minutes together, I would say, and we’ll come up with at least one mutual acquaintance.

Seven years into my New York adventure, I loved being able to indulge in all of my passions, fed by the culinary offerings, the public transportation, the neighborhood movie theaters, and the vast comedy scene. But I was suddenly disappointed to realize that nearly a decade on, the emotional connection to my surroundings had only grown so deep. Perhaps the size of the city was responsible, but I was struck by an epiphany that the things tying me and my peers to New York were most often cultural and career opportunities. Friendships were nice, but the relationships weren’t the priority or the motivating factor for residence — even if social opportunities were.

I would argue that even with amazing museums, pro sports, and an emerging cultural scene, community remains the Queen City’s defining trait. And I would suggest that beyond the interpersonal relationships that grow so strong here, our defensiveness derives from our relationship to the city itself. Cincinnati, the whole intangible idea of it — the people, plants, buildings and backstory — functions like a family in a way that other cities with more transient populations don’t. It’s only natural for a person to defend his home, as an affirmation of his life choices, if nothing else; our relationship to Cincinnati is, I think, more complicated and more rich. We love it even when it frustrates us. We shape it, even as we are shaped by it.

The sun sets on my time in New York City [LEFT], and I start my journey anew in the city I love [RIGHT]. Photos by Jeremy Mosher & Randy Simes.

And I think that’s the difference: because Cincinnati is inhabited and led by homegrown folks probably more than any other city our size or bigger, a sort of mutual osmosis goes on. A Cincinnatian owns a stake in this city; woe to those who aspire only to rent it for a few convenient years. Yes, new residents have been known to be intimidated initially, but they can still become part of the family, part of this wholly unique place and experience, if they’re willing to put up with — and occasionally revel in — the quirks and foibles. (We wouldn’t let a family member bring a new spouse into the herd without doing due diligence, right?) Cincinnati will look out for us. It will give us the opportunities to outgrow it, but never let us forget where we came from. It will welcome us back, even if we feel the need to leave the nest for years at a time.

Returning from a business trip to the far side of the Atlantic last weekend, I had a layover in New York. Few things in this world are breathtaking like a banking bird’s-eye view of Manhattan at night, but as I picked out landmarks from my vantage high above the city I had long called my home — and meant it — I recognized something new: that I am thrilled to be living in Cincinnati again. Do I miss life in New York? Certain elements, yes. But given a choice, give me family, evolving but ever-loyal, sitting proudly on this big bend in the banks of the Ohio.

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News

Dinner options expanding in downtown Cincinnati

Over the course of the past month or so, Cincinnati’s urban core has seen a nice expansion in the seemingly always desired dinner options, especially as it relates to dining during the week. This is definitely a most welcome development as many places tend to cater to the business lunch crowd, only to then shut their doors on the people that live in the city.

More evening options as it relates to dining should be in direct correlation with the amount of people that are living downtown and in the larger urban core (including Nky). The development is not surprising, but is most welcome by residents.

A few of the openings and additional hours include the following:

  • Its Just Crepes has opened a second location at 151 West 4th Street.
  • Mr. Sushi recently opened in the 580 building along 6th Street in the Backstage District.
  • Mayberry, the well documented creation of Chef Josh Campbell, recently expanded their hours to include dinner options with hours lasting until 7pm now.
  • Another well documented establishment, Senate, will be opening on February 19 in the Gateway Quarter which will add yet another weekday dining option to downtown.

As the repopulation of our city center continues, there will be more and more options for residents to choose from as it relates to dining and other consumer based spending. These recent developments are definitely another step in the right direction as we work through a difficult economy and the winter weather months in Cincinnati.

The dinner table is set at Mayberry in downtown Cincinnati – photo by 5chw4r7z

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Business News

Google’s ‘Parisian Love’ Super Bowl commercial runaway winner

This year Google did the unexpected and ran a Super Bowl ad at the beginning of the 4th Quarter. The commercial wasn’t funny and didn’t try to be. The commercial was easily the winner of most effective Super Bowl commercial even if it doesn’t win the popular votes.

The commercial was effective for both men and women, it illustrated perfectly the uses and benefits of their product (Google search engine), it clearly established their brand identity, and had an amazing authenticity that is rarely found in commercials…much less Super Bowl commercials.

The story line of ‘Parisian Love’ was very identifiable for most people through the common love storyline, and Google’s ability to work in natural and common questions along the way was brilliant. The commercial was also very clever to work in the spelling error of “louve” instead of “louvre.” Also clever was the natural integration of the auto-complete function of Google searches.

If you didn’t get a chance to catch the commercial live during Super Bowl XLIV you should view it now.

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Arts & Entertainment News

It Takes An Army

If you follow any of the UrbanCincy crew on Twitter you probably are aware of a hot debate going on over the last few weeks as it relates to the opening of a new establishment downtown. While the debate itself is interesting, I am going to avoid the details of it, it has also served as the inspiration for this post.

There has been a lot of discussion over the types of people that some of the newer places in the urban core attract and there was some backlash against these places on Twitter from folks that clearly support the urban core of Cincinnati in many ways. I for one always try to visit new places and draw my own conclusions about whether or not I like it, and if I don’t then the new place does not become one that I frequent on a regular basis.

The main realization I have come to during these discussions is that we need everyone involved with the urban core in some form or fashion so that there is long term success. There has to be a places for scenesters, places for hipsters, places for frat guys, and places for suburbanites so that we get the most people we can involved with the success of our city. Does this mean that I need to approve of or like every single new place that opens? Of course not, but when a new place opens and is successful, that is good news for the city that I love.

So, downtown Cincinnati needs institutions like Arnold’s and Grammer’s just as much as it needs new places like Mynt Martini and (the soon to be open) Passage Lounge. We need national chains like Palomino and McCormick & Schmick’s just as much as we need local favorites like Mayberry and Via Vite. By having a diverse offering, downtown Cincinnati is quickly becoming a place that appeals to all kinds of people.

Why is that important? Think back to the heydays of the Main Street scene. It was one stretch of one area of the city and most of the establishments catered to one type of crowd. When that crowd moved on to somewhere else, the Main Street Entertainment District quickly became a part of Cincinnati history.

Mynt Martini photos taken and provided by Thadd Fiala

These days though, there is wonderful diversity in the offerings downtown and it is only bound to get more varied. Throngs of people with varying taste should be able to help make the revitalization that is occurring a long term solution, and not a fly by night sensation. It is already helping to reestablish pride for our city and with the additions of The Banks, the casino, and hopefully the Cincinnati Streetcar. The future is very bright for our fair city that is nestled up against the banks of the Ohio.

Back to the social media power that is Twitter. As folks have followers that number into the hundreds and sometimes thousands, any opinion shared is one that can be viewed and interpreted in different ways by many folks as they form their own opinions about what is happening in the world. If we are going to all work towards a better, more prosperous, and more fun Cincinnati, then we should all be thoughtful about the power our opinions hold.

Follow the UrbanCincy staff on Twitter:
UrbanCincy team — @UrbanCincy
Randy A. Simes – @RandySimes
Dave Rolfes – @CinNewTon
Jenny Kessler – @JenLKessler
David Ben – @DavidCBen
Travis Estell – @taestell